asylum-art:

The Photographic and Sculptural Blend of Osang Gwon

The artwork of Korean artist Gwon Osang is a unique blend of photography and sculpture.  He begins by extensively photographing his subjects, then attaching the photographs to plaster sculptures and molds.  The result is a strange mix of two and thee dimensions.  Also, while the sculptures may point to classical bronze and marble statues, the photos and poses are much more reminiscent of fashion photography.  Thus, the sculptures seem simultaneously heavy and light in physical weight as well as seriousness.  They’re especially fitting for a time marked by the abundance of images and hyper-documentation.

asylum-art:

Photographs of Wild Animals Roaming the Aisles of Grocery Stores by agan harahap

on Behance, on Flickr, DeviantArt

Photographer and master Photoshopper Agan Harahap aka TOYIB has an interesting new project called Garden Fresh. Each of the ‘shopped photographs shows wild creatures exploring the inside of a grocery store.

Harahap writes,

"Garden Fresh series investigates the shifting boundaries between humans and animals in today’s environment and the complex relationship between art and nature. It is like a fable about a journey undertaken by the animals when they venture into our daily lives. The animals are confronted by a new reality that is in conflict with their natural habits and habitats.

At the same time, when we see these ‘zoo-trapped’ animals in supermarkets, their most outstanding characteristics are isolated as their ‘only’ characteristics. The animals are stripped of their own identities and are used as empty vessels to be filled with the human drama of parody, satire and allegory. We cannot help but see animals from a human vantage point, and therefore in some sense all the works in the present exhibition are actually about us.”

(via theremina)

asylum-art:

The photography of Phebe Schmidt

Phebe Schmidt is challenging our perception and digestion of the world around us, one pastel-hued, glossy photograph at a time. The Australia native bears a bold, pop style not unlike the work of Toilet Paper and Maurizio Cattelan, among several other influential contemporary photographers, but the driving force behind Schmidt’s work sets her apart (not to mention her cultivation of equally revolting and seductive imagery). She juxtaposes food with gore, disgust with desire, making the repulsive almost sensual, or tangible—we can nearly taste it—and vice versa. Utilizing the imagery and vocabulary of our digital age as her muse, she challenges every socialized norm from gender to beauty, sexuality to the food we consume. Often composed like glossy product shots, Schmidt perverts and interprets our culture as she sees it and spits it back to us. And as we’ve learned so many times before, it can be hard to look in the mirror.

(via asylum-art)

18mr:

“When thinking of iconic romance, ask yourself if any imagery (paintings, photographs, film-stills) comes to mind that is not showing heterosexual couples? Probably not,” says photographer Braden Summers of his photo series of everyday gay and lesbian couples from around the globe.

[x]

(via theremina)